The weekly Country leads Paul Rivero characterized the cover of Tintin, a blunder, or a provocation, go figure, that can only be explained from the absolute lack of character (Tintin, of course). C'mon, it's like putting Santiago Segura on the role of Francis of Assisi or Loles León in Isadora Duncan. 
Just a quick look at the original bullet impossible to understand the convergence. He is seen on the time of maximum tension, probably running after a villain, but that does not erase the ingenuity of her face, pure eyes, or his stubborn generous gesture of unconditional surrender to just causes. Tintin is also a hero full of ambiguity, bold, tender, passionate, thoughtful, courageous, close and vulnerable. And somewhat sexless, as if development had been stalled hormonal puberty. Naturally, no known romantic relationships.
Nothing to do with the sham-Rivero, who monopolizes cover and story. Posa safe from the spotlight, left, self-sufficient and dominant view, as a shepherd dog to a given herd. Overflowing masculinity in the details, stubble, walnut prominent jaw powerful ... - which can not be silenced by that grotesque lock, with which it aims to supplant the heroic reporter. Lords
journalists, get to know the characters have souls, and not simply spend several hours in the makeup table to capture. If I may a suggestion, call the next time Ariadna Gil, in his gesture and sweet and dreamy look essentially takes some of Tintin. The baggy and the lock are not important.
Just a quick look at the original bullet impossible to understand the convergence. He is seen on the time of maximum tension, probably running after a villain, but that does not erase the ingenuity of her face, pure eyes, or his stubborn generous gesture of unconditional surrender to just causes. Tintin is also a hero full of ambiguity, bold, tender, passionate, thoughtful, courageous, close and vulnerable. And somewhat sexless, as if development had been stalled hormonal puberty. Naturally, no known romantic relationships. Nothing to do with the sham-Rivero, who monopolizes cover and story. Posa safe from the spotlight, left, self-sufficient and dominant view, as a shepherd dog to a given herd. Overflowing masculinity in the details, stubble, walnut prominent jaw powerful ... - which can not be silenced by that grotesque lock, with which it aims to supplant the heroic reporter. Lords
journalists, get to know the characters have souls, and not simply spend several hours in the makeup table to capture. If I may a suggestion, call the next time Ariadna Gil, in his gesture and sweet and dreamy look essentially takes some of Tintin. The baggy and the lock are not important.
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