Monday, April 25, 2011

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Scream 4


Watch Who stabs

Fifteen years after Scream (Watch who's calling) , Wes Craven returns to the characters survived the slaughter of Woodsboro and is at the same stage of the first. The excuse is the publication of a book about the ordeal experienced by Sidney (Neve Campbell), who returns to town to present it to great fanfare to his countrymen and former high school classmates.



The story is repeated almost point by point, now with new characters around who could tell in the first adventure of the series. Naturally, with over fifteen years, these survivors are not the same as they were. No matter, as they have over in the new generation of students of the institute.


Everything you expect from a film of its kind, is found in Scream 4, though fortunately without the usual damage that carry such consequences. Scream 4 retains some of the most interesting aspects of the first part (clarified and I have not seen the other two) and also provides an added interest: a sense of humor and an obsessive effort to provide references and quotes from the genus cinéphiles.


Most times these referrals result impostada but there are enough allusions to movies and authors who provide some attraction for the amateur. Sidney is in her old high school student to a group of moviegoers who have mounted a cinema club. This will play a role in the plot of the movie.


The eagerness of mimicry with the first delivery is evident in the boot screen 4 , repeating the same resources to put in my mouth to the viewer. Again, the prologue again to be a small little film with its own autonomy within the film. This time, instead of harassing a girl alone in an isolated house in the middle of the night (in the first Drew Barrymore) are two which have to deal with the "carafantasma" of the stabbing. And this little adventure of appetizer, we saved a little surprise.


The "two for the price of one" fails to match that stunning prologue of the first delivery, but duly fulfills its function. And also, two for the price of one is repeated in the case of the stalker, who now doubles as well. Ghostface (the new Ghostface) has this time help and not act alone.


There are certain developments in the characteristics of the new Ghostface, and their conditions and motivations we can find a way to charge the new trends of the present generations that seem to precede the success and fame at any other thing, at the cost of any price anyway. Twitter, Facebook, vidojuegos, mobile ... are the new tools with which young people are interrelated. A part of them can not overcome the alienating and even destructive influences of new media, of modern social networks.


Screan 4, within its apparent formal mediocrity, maintains and provides succulent type notes on the times and the new generations, formed and informed by new technologies.


All this in a typical show of harassment and stab wounds, many stabs to justify again why the series is called just Scream. Fans of the genre most basic forms have ample satisfaction and, most demanding, will find enough references to believe a little more intelligent and prepared to understand the many hints that the film offers moviegoers about gender.


Check the footprints of time on the actors and and about the characters (Neve Campbell, David Arquette, and Courteney Cox), as well as lamenting the insignificant weight closely the deals that currently has Oscar-winning girl Piano, Anna Paquin, may be another of the attractions about gossip and nostalgia that can motivate us when we decide to see Scream 4 .

Rating: **

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